
When John Miller opened Broome’s first jewellery store in 1979, some locals thought he was mad.
The remote pearling town was a long way from the bright lights of Perth or Sydney, and the idea that a young silversmith could make a living selling handcrafted jewellery seemed optimistic at best.
Forty-seven years later, Miller is smiling at the memory.
Not only did the gamble pay off, but Broome has since become one of Australia’s jewellery capitals.
“People were a bit sceptical when I first opened,” Miller recalls. “But it soon proved to be a winning decision and sales were prolific.”
Today, at 71, the master craftsman has returned to where much of his remarkable story began, reopening a showroom in Broome’s historic Chinatown precinct, just doors from the site of his original store.
In a twist that seems almost too neat to be true, his new premises even have the same landlord.
For Miller, the return is about much more than business.
Broome is woven into the fabric of his life.
“I learned to walk on Cable Beach and learned to swim in the shark-proof cage at Town Beach,” he says.
His earliest memories are of the Kimberley coast — chasing tiny fish in rock pools, exploring the tidal flats and marvelling at the colours of the landscape.
“The Broome landscape has always been a place of joy and wonder to me,” he says.
“There’s nowhere on earth quite like it.”

That sense of wonder has shaped a career spanning more than five decades.
The son of celebrated author and historian Dame Mary Durack, Miller grew up surrounded by creativity. Yet his own artistic journey began almost by accident when, as an 18-year-old, he walked into a Perth pub and met a jeweller looking for someone to polish silver.
It proved to be a life-changing encounter.
“Sometimes I wonder if I chose jewellery or whether it chose me,” he reflects.
Since then, Miller has become one of Australia’s most distinctive jewellery makers. His bracelets, rings and pendants are instantly recognisable, stamped with whales, dolphins, wildflowers, shells, native birds and the landscapes of Western Australia.
Over the years, he has handcrafted more than 1,500 steel punch stamps, creating what is believed to be the world’s largest collection of handmade jewellery punches.
His work has found passionate collectors across Australia and overseas.
“We have people coming in saying they’ve been wearing their bracelet for 35 years and telling us how much joy it brings them every day,” he says.
Some families have bought his jewellery across multiple generations, returning to mark milestones with pieces designed to last a lifetime.
In an age of mass production and fast fashion, Miller remains committed to traditional craftsmanship. Every piece is made using techniques that have largely disappeared from modern manufacturing, including hand engraving, hot metal forging and relief stamping.
“Jewellery should be durable, repairable, comfortable and aesthetically pleasing to the eye,” he says.
That philosophy has served him well.
From humble beginnings, Miller has built Australia’s largest handmade jewellery business, employing 14 staff and operating workshops and galleries in both Yallingup and Broome.
Yet despite the success, the pull of Broome never faded.
His father and siblings are buried there. He owns a home there. And one day, he says, he will rest there too.
“My late siblings and dad are buried in Broome, as I will be,” he says.
“It has such a special place in my DNA.”
For visitors wandering through old Chinatown today, Dampier’s Chest is more than a jewellery store.
It’s a reminder that sometimes the best journeys are the ones that bring you back to where it all began.
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