
If you want to start a conversation with your granddaughter this weekend, forget the weather, forget her exams, forget whatever unspeakable vegetable milk she’s put in your tea. Just lean in and ask her about Taylor. Watch the transformation. One minute she’s a sullen 19-year-old who communicates exclusively in shrugs; the next she’s vibrating like a tuning fork, talking faster than you can process, using words like “era” as a unit of time and “the Eras Tour” as though it were a war she personally fought in. You will not understand 90 per cent of it. That’s fine. Nod. Smile. You’re bonding.
Because this weekend, in New York, at Madison Square Garden – a building better known for basketball, boxing and the occasional messianic mass wedding conducted by a Korean cult leader in 1982, which, extraordinarily, is not even the strangest thing to have happened there – Taylor Swift is reportedly marrying Travis Kelce, a large and amiable American football player whose main previous claim to fame was catching an egg-shaped ball for a living. The world has, by all accounts, lost what remained of its mind.
I am reliably informed this is a big deal. I am further informed that I am not the target demographic, on account of being the sort of person who still refers to Spotify as “the wireless.” But if there’s one skill our generation has, it’s the ability to watch a cultural phenomenon happen to other people and calmly ask, from a safe distance, “yes, but what does it mean.” So let’s do that.
Now. The big question, the one you’ll actually want an opinion on when your granddaughter asks what you think: is Taylor Swift the Beatles of her generation?
Honestly – closer than you’d think. Global, generation-defining, capable of moving markets and filling stadiums on will alone, and blessed (or cursed) with a fanbase that treats every lyric like scripture requiring exegesis. The Beatles had “Paul is dead” theories; Swift has fans who can apparently divine the precise date of an album announcement from the colour of her nail varnish. Same energy, different century.
Which brings us to the inevitable, faintly ungallant question: will Travis turn out to be her Yoko? Will marriage do what marriage traditionally does in these mythologies – slow the creative juggernaut, divert the muse toward domesticity, curdle the fandom into resentment of the interloper who “changed her”? I suspect not, for the simple reason that Yoko was blamed, fairly or not, for breaking up a band. Kelce isn’t breaking up anything – he’s just joining a phenomenon that was already, by any sane measure, unstoppable. If anything, he’s less Yoko and more George Martin: along for the ride, occasionally visible, wisely staying out of the way of the main event.
Either way, enjoy your weekend. Somewhere in Manhattan a woman worth more than several small nations is getting married in a basketball arena, the NYPD is on overtime, and your granddaughter is, right now, refreshing her phone every four seconds. Go and ask her about it. You’ll understand perhaps a third of what she says back. That third will be enough.
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